New York Historical to Receive Gift of Works by Native American Artists

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New York Historical to Receive Gift of Works by Native American Artists

nt</div>n</div>nttt</div>ntttt</div>n”,”data”:[{“divId”:”gpt-dsk-tab-list-inlist1-uid0″,”displayType”:”medrec”,”targeting”:[{“key”:”pos”,”value”:”mid”},{“key”:”pos”,”value”:”mid-article”},{“key”:”pos”,”value”:”in-list”},{“key”:”viewable”,”value”:”yes”}],”lazyLoad”:”no”,”lazyLoadMultiplier”:2,”zone”:”list/in-list1″,”sizes”:[[300,250],[300,251]]}]}},{“ID”:1234774430,”position”:1,”positionDisplay”:2,”date”:”2026-02-24 15:07:17″,”modified”:”2026-02-25 16:36:11″,”title”:”Nampeyo of Hano,u00a0Untitled</em>, late 19th or early 20th century”,”subtitle”:null,”slug”:”nampeyo-of-hano-tewa-hopi-ca-1859-1942-untitled-late-19th-or-early-20th-century”,”caption”:”Nampeyo of Hano,Untitled</em>, late 19th or early 20th century”,”description”:”ntttt

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ntCeramist Nampeyo of Hano (Tewa-Hopi, ca. 1859u20131942)u00a0used ancient techniques to make her pottery, taking her forms and designs from shards found at the 15th-century ruins on First Mesa, where her husband was employed by archaeologist J. Walter Fewkes. Today Nampeyo is considered one of the greatest of the Hopi potters; in 2010 one of her works sold for $350,000, a world record for Southwest American Indian pottery.</p>n</div>”,”alt”:”Nampeyo of Hano,Untitled</em>, late 19th or early 20th century”,”image_credit”:”The New York Historical, Promised gift of Agnes Hsu-Tang and Oscar Tang, The Hsu-Tang Collection.”,”url”:”https://www.artnews.com/list/art-news/news/new-york-historical-society-native-american-artworks-gift-1234774399/”,”image_id”:1234774431,”image”:”https://www.artnews.com/wp-content/uploads/2026/02/aZaWNsFoBIGEgitM_10Untitled-vessel-.jpg?w=667″,”sizes”:{“pmc-gallery-s”:{“src”:”https://www.artnews.com/wp-content/uploads/2026/02/aZaWNsFoBIGEgitM_10Untitled-vessel-.jpg?w=160″,”width”:160,”height”:240},”pmc-gallery-m”:{“src”:”https://www.artnews.com/wp-content/uploads/2026/02/aZaWNsFoBIGEgitM_10Untitled-vessel-.jpg?w=320″,”width”:320,”height”:480},”pmc-gallery-l”:{“src”:”https://www.artnews.com/wp-content/uploads/2026/02/aZaWNsFoBIGEgitM_10Untitled-vessel-.jpg?w=400″,”width”:400,”height”:600},”pmc-gallery-xl”:{“src”:”https://www.artnews.com/wp-content/uploads/2026/02/aZaWNsFoBIGEgitM_10Untitled-vessel-.jpg?w=512″,”width”:512,”height”:768},”pmc-gallery-xxl”:{“src”:”https://www.artnews.com/wp-content/uploads/2026/02/aZaWNsFoBIGEgitM_10Untitled-vessel-.jpg?w=667″,”width”:667,”height”:1000}},”fullWidth”:384,”fullHeight”:575,”mime_type”:”image”,”ad”:””,”appleSongID”:null,”enableAppleGA”:false,”additionalDescription”:null,”subtitleColor”:null,”additionalSubtitle”:null,”additionalSubtitleColor”:null,”ads”:{“html”:”t

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nttnt</div>n</div>nttt</div>ntttt</div>n”,”data”:[{“divId”:”gpt-dsk-tab-list-inlistx-uid1″,”displayType”:”medrec”,”targeting”:[{“key”:”pos”,”value”:”btf”},{“key”:”pos”,”value”:”mid”},{“key”:”pos”,”value”:”in-listX”}],”lazyLoad”:”no”,”lazyLoadMultiplier”:2,”zone”:”list/in-listX”,”sizes”:[[300,250],[300,251]]}]}},{“ID”:1234774421,”position”:2,”positionDisplay”:3,”date”:”2026-02-24 15:00:37″,”modified”:”2026-02-25 16:39:05″,”title”:”Lee Marmon,u00a0White Manu2019s Moccasins</em>, 1954″,”subtitle”:null,”slug”:”lee-marmon-laguna-pueblo-1925-2021-white-mans-moccasins-1954″,”caption”:”Lee Marmon,u00a0White Manu2019s Moccasins</em>, 1954″,”description”:”ntttt

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ntLee Marmon (Laguna Pueblo, 1925u20132021) began his career as a photographer in 1947, when his father suggested he start taking pictures of the elders and other members of his Laguna Pueblo, New Mexico, community. His subsequent career included work for Time </em>magazine and the Saturday Evening Post</em>, as well as a stint as the official photographer for the Bob Hope Desert Classic Golf Tournament in Palm Springs. Of this photograph of Laguna Pueblo resident Jeff Sousea, Marmon once wrote that he titled it White Manu2019s Moccasins</em> because people expecting stereotypical images of Native Americans kept asking why the subject was wearing Keds instead of Native footwear.</p>n</div>”,”alt”:”Lee Marmon,u00a0White Manu2019s Moccasins</em>, 1954″,”image_credit”:”Collection of Agnes Hsu-Tang and Oscar Tang, The Hsu-Tang Collection.”,”url”:”https://www.artnews.com/list/art-news/news/new-york-historical-society-native-american-artworks-gift-1234774399/”,”image_id”:1234774422,”image”:”https://www.artnews.com/wp-content/uploads/2026/02/aZaV3MFoBIGEgitE_6WhiteMansMoccasins.jpg?w=845″,”sizes”:{“pmc-gallery-s”:{“src”:”https://www.artnews.com/wp-content/uploads/2026/02/aZaV3MFoBIGEgitE_6WhiteMansMoccasins.jpg?w=203″,”width”:203,”height”:240},”pmc-gallery-m”:{“src”:”https://www.artnews.com/wp-content/uploads/2026/02/aZaV3MFoBIGEgitE_6WhiteMansMoccasins.jpg?w=406″,”width”:406,”height”:480},”pmc-gallery-l”:{“src”:”https://www.artnews.com/wp-content/uploads/2026/02/aZaV3MFoBIGEgitE_6WhiteMansMoccasins.jpg?w=507″,”width”:507,”height”:600},”pmc-gallery-xl”:{“src”:”https://www.artnews.com/wp-content/uploads/2026/02/aZaV3MFoBIGEgitE_6WhiteMansMoccasins.jpg?w=649″,”width”:649,”height”:768},”pmc-gallery-xxl”:{“src”:”https://www.artnews.com/wp-content/uploads/2026/02/aZaV3MFoBIGEgitE_6WhiteMansMoccasins.jpg?w=845″,”width”:845,”height”:1000}},”fullWidth”:486,”fullHeight”:575,”mime_type”:”image”,”ad”:””,”appleSongID”:null,”enableAppleGA”:false,”additionalDescription”:null,”subtitleColor”:null,”additionalSubtitle”:null,”additionalSubtitleColor”:null,”ads”:{“html”:”t

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nttnt</div>n</div>nttt</div>ntttt</div>n”,”data”:[{“divId”:”gpt-dsk-tab-list-inlistx-uid2″,”displayType”:”medrec”,”targeting”:[{“key”:”pos”,”value”:”btf”},{“key”:”pos”,”value”:”mid”},{“key”:”pos”,”value”:”in-listX”}],”lazyLoad”:”no”,”lazyLoadMultiplier”:2,”zone”:”list/in-listX”,”sizes”:[[300,250],[300,251]]}]}},{“ID”:1234774442,”position”:3,”positionDisplay”:4,”date”:”2026-02-24 15:23:15″,”modified”:”2026-02-25 16:33:27″,”title”:”Valjean McCartey Hessing,u00a0But We Wear Peace Medals</em>, 1974″,”subtitle”:null,”slug”:”valjean-mccartey-hessing-choctaw-1934-2006-but-we-wear-peace-medals-1974-gouache-on-board-the-new-york-historical-promised-gift-of-agnes-hsu-tang-and-oscar-tang-the-hsu-tang-co”,”caption”:”Valjean McCartey Hessing, But We Wear Peace Medals</em>, 1974″,”description”:”ntttt

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ntAs a young woman, Valjean McCarty Hessing (Choctaw, 1934u20132006) taught herself Flatstyle, an intertribal Native American painting movement originally inspired by Art Deco and Plains Indian ledger drawings. Flatstyle painters traditionally depicted Native customs or historic events; the work here appears to comment on the u201cpeace medalsu201d awarded to tribal leaders in Americau2019s early years, now associated with the betrayal of trust.</p>n</div>”,”alt”:”Valjean McCartey Hessing, But We Wear Peace Medals</em>, 1974″,”image_credit”:”The New York Historical, Promised gift of Agnes Hsu-Tang and Oscar Tang, The Hsu-Tang Collection.”,”url”:”https://www.artnews.com/list/art-news/news/new-york-historical-society-native-american-artworks-gift-1234774399/”,”image_id”:1234774443,”image”:”https://www.artnews.com/wp-content/uploads/2026/02/aZaViMFoBIGEgis-_3ButWeWearPeaceMedals.jpg?w=908″,”sizes”:{“pmc-gallery-s”:{“src”:”https://www.artnews.com/wp-content/uploads/2026/02/aZaViMFoBIGEgis-_3ButWeWearPeaceMedals.jpg?w=218″,”width”:218,”height”:240},”pmc-gallery-m”:{“src”:”https://www.artnews.com/wp-content/uploads/2026/02/aZaViMFoBIGEgis-_3ButWeWearPeaceMedals.jpg?w=436″,”width”:436,”height”:480},”pmc-gallery-l”:{“src”:”https://www.artnews.com/wp-content/uploads/2026/02/aZaViMFoBIGEgis-_3ButWeWearPeaceMedals.jpg?w=545″,”width”:545,”height”:600},”pmc-gallery-xl”:{“src”:”https://www.artnews.com/wp-content/uploads/2026/02/aZaViMFoBIGEgis-_3ButWeWearPeaceMedals.jpg?w=697″,”width”:697,”height”:768},”pmc-gallery-xxl”:{“src”:”https://www.artnews.com/wp-content/uploads/2026/02/aZaViMFoBIGEgis-_3ButWeWearPeaceMedals.jpg?w=908″,”width”:908,”height”:1000}},”fullWidth”:522,”fullHeight”:575,”mime_type”:”image”,”ad”:””,”appleSongID”:null,”enableAppleGA”:false,”additionalDescription”:null,”subtitleColor”:null,”additionalSubtitle”:null,”additionalSubtitleColor”:null,”ads”:{“html”:”t

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nttnt</div>n</div>nttt</div>ntttt</div>n”,”data”:[{“divId”:”gpt-dsk-tab-list-inlistx-uid3″,”displayType”:”medrec”,”targeting”:[{“key”:”pos”,”value”:”btf”},{“key”:”pos”,”value”:”mid”},{“key”:”pos”,”value”:”in-listX”}],”lazyLoad”:”no”,”lazyLoadMultiplier”:2,”zone”:”list/in-listX”,”sizes”:[[300,250],[300,251]]}]}},{“ID”:1234774413,”position”:4,”positionDisplay”:5,”date”:”2026-02-24 14:57:29″,”modified”:”2026-02-25 16:45:44″,”title”:”Fritz Scholder,u00a0Patriotic Indian</em>, 1975″,”subtitle”:null,”slug”:”fritz-scholder-la-jolla-band-of-luiseno-indians-1939-2005-patriotic-indian-1975-lithograph-the-new-york-historical-promised-gift-of-agnes-hsu-tang-and-oscar-tang-the-hsu-tang-collec”,”caption”:”Fritz Scholder,u00a0Patriotic Indian</em>, 1975″,”description”:”ntttt

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ntLike his teacher Wayne Thiebaud, Fritz Scholder (La Jolla Band of Luiseu00f1o Indians,u00a01939u20132005) combined Pop Art and Abstract Expressionism in his work; he is best known for his series of u201cIndianu201d paintings, which depict the realities of contemporary Native American lifeu2014at times in abject or grotesque ways. Scholder was a controversial figure not only on account of his art, which some found exploitative, but also because he was known to say that he was not Indian, though he was in fact an enrolled member of the Luiseu00f1o tribe.</p>n</div>”,”alt”:”Fritz Scholder,u00a0Patriotic Indian</em>, 1975″,”image_credit”:”The New York Historical, Promised gift of Agnes Hsu-Tang and Oscar Tang, The Hsu-Tang Collection. Artwork copyright u00a9 Agent of the Estate of Fritz Scholder and the Collection of Fritz Scholder.”,”url”:”https://www.artnews.com/list/art-news/news/new-york-historical-society-native-american-artworks-gift-1234774399/”,”image_id”:1234774414,”image”:”https://www.artnews.com/wp-content/uploads/2026/02/aZaUdcFoBIGEgisz_1PatrioticIndian_aa198a.jpg?w=668″,”sizes”:{“pmc-gallery-s”:{“src”:”https://www.artnews.com/wp-content/uploads/2026/02/aZaUdcFoBIGEgisz_1PatrioticIndian_aa198a.jpg?w=160″,”width”:160,”height”:240},”pmc-gallery-m”:{“src”:”https://www.artnews.com/wp-content/uploads/2026/02/aZaUdcFoBIGEgisz_1PatrioticIndian_aa198a.jpg?w=321″,”width”:321,”height”:480},”pmc-gallery-l”:{“src”:”https://www.artnews.com/wp-content/uploads/2026/02/aZaUdcFoBIGEgisz_1PatrioticIndian_aa198a.jpg?w=401″,”width”:401,”height”:600},”pmc-gallery-xl”:{“src”:”https://www.artnews.com/wp-content/uploads/2026/02/aZaUdcFoBIGEgisz_1PatrioticIndian_aa198a.jpg?w=513″,”width”:513,”height”:768},”pmc-gallery-xxl”:{“src”:”https://www.artnews.com/wp-content/uploads/2026/02/aZaUdcFoBIGEgisz_1PatrioticIndian_aa198a.jpg?w=668″,”width”:668,”height”:1000}},”fullWidth”:384,”fullHeight”:575,”mime_type”:”image”,”ad”:””,”appleSongID”:null,”enableAppleGA”:false,”additionalDescription”:null,”subtitleColor”:null,”additionalSubtitle”:null,”additionalSubtitleColor”:null,”ads”:{“html”:”t

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nttnt</div>n</div>nttt</div>ntttt</div>n”,”data”:[{“divId”:”gpt-dsk-tab-list-inlistx-uid4″,”displayType”:”medrec”,”targeting”:[{“key”:”pos”,”value”:”btf”},{“key”:”pos”,”value”:”mid”},{“key”:”pos”,”value”:”in-listX”}],”lazyLoad”:”no”,”lazyLoadMultiplier”:2,”zone”:”list/in-listX”,”sizes”:[[300,250],[300,251]]}]}},{“ID”:1234774425,”position”:5,”positionDisplay”:6,”date”:”2026-02-24 15:04:06″,”modified”:”2026-02-25 16:49:55″,”title”:”Benjamin L. West ,u00a0No DAPL</em>, 2016″,”subtitle”:null,”slug”:”benjamin-l-west-southern-cheyenne-mvskoke-creek-otoe-missouria-no-dapl-2016″,”caption”:”Benjamin L. West, No DAPL</em>, 2016″,”description”:”ntttt

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ntIn 2016 and 2017 the Dakota Access Pipeline project sparked protests organized by #NODAPL, an Indigenous-led grassroots campaign. This photo, taken by Native American artist and photographer Benjamin L. West (Southern Cheyenne/Mvskoke Creek/Otoe Missouria), captures protesters at Standing Rock Reservation in North Dakota.</p>n</div>”,”alt”:”Benjamin L. West, No DAPL</em>, 2016″,”image_credit”:”The New York Historical, Promised Gift of Agnes Hsu-Tang and Oscar Tang, The Hsu-Tang Collection. Artwork copyright u00a9 Benjamin West.”,”url”:”https://www.artnews.com/list/art-news/news/new-york-historical-society-native-american-artworks-gift-1234774399/”,”image_id”:1234774426,”image”:”https://www.artnews.com/wp-content/uploads/2026/02/aZaWBsFoBIGEgitJ_8NoDAPL.jpg?w=1000″,”sizes”:{“pmc-gallery-s”:{“src”:”https://www.artnews.com/wp-content/uploads/2026/02/aZaWBsFoBIGEgitJ_8NoDAPL.jpg?w=299″,”width”:299,”height”:240},”pmc-gallery-m”:{“src”:”https://www.artnews.com/wp-content/uploads/2026/02/aZaWBsFoBIGEgitJ_8NoDAPL.jpg?w=597″,”width”:597,”height”:480},”pmc-gallery-l”:{“src”:”https://www.artnews.com/wp-content/uploads/2026/02/aZaWBsFoBIGEgitJ_8NoDAPL.jpg?w=746″,”width”:746,”height”:600},”pmc-gallery-xl”:{“src”:”https://www.artnews.com/wp-content/uploads/2026/02/aZaWBsFoBIGEgitJ_8NoDAPL.jpg?w=955″,”width”:955,”height”:768},”pmc-gallery-xxl”:{“src”:”https://www.artnews.com/wp-content/uploads/2026/02/aZaWBsFoBIGEgitJ_8NoDAPL.jpg?w=1000″,”width”:1000,”height”:804}},”fullWidth”:715,”fullHeight”:575,”mime_type”:”image”,”ad”:””,”appleSongID”:null,”enableAppleGA”:false,”additionalDescription”:null,”subtitleColor”:null,”additionalSubtitle”:null,”additionalSubtitleColor”:null,”ads”:{“html”:”t

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nttnt</div>n</div>nttt</div>ntttt</div>n”,”data”:[{“divId”:”gpt-dsk-tab-list-inlistx-uid5″,”displayType”:”medrec”,”targeting”:[{“key”:”pos”,”value”:”btf”},{“key”:”pos”,”value”:”mid”},{“key”:”pos”,”value”:”in-listX”}],”lazyLoad”:”no”,”lazyLoadMultiplier”:2,”zone”:”list/in-listX”,”sizes”:[[300,250],[300,251]]}]}},{“ID”:1234774435,”position”:6,”positionDisplay”:7,”date”:”2026-02-24 15:10:50″,”modified”:”2026-02-25 16:48:46″,”title”:”Zou00eb Marieh Urness,u00a0Raven Tells His Story in the Fog</em>, 2021″,”subtitle”:null,”slug”:”zoe-marieh-urness-tlingit-cherokee-b-1984-raven-tells-his-story-in-the-fog-2021″,”caption”:”Zou00eb Marieh Urness, Raven Tells His Story in the Fog</em>, 2021″,”description”:”ntttt

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ntIn 2014 Pulitzer Prizeu2013nominated photographer Zou00eb Urness (Tlingit/Cherokee, b. 1984) began her u201cNative Americans Keeping Traditions Aliveu201d series, which depict Indigenous people in traditional clothing and settings. This sepia print from the series depicts Tlingit dancer Gene Tagaban posing on a gigantic tree stump in a ceremonial Raven costume and mask.</p>n</div>”,”alt”:”Zou00eb Marieh Urness (Tlingit/Cherokee, b. 1984), Raven Tells His Story in the Fog</em>, 2021″,”image_credit”:”The New York Historical, Promised gift of Agnes Hsu-Tang and Oscar Tang, The Hsu-Tang Collection. Artwork copyright u00a9 Zou00eb Urness.”,”url”:”https://www.artnews.com/list/art-news/news/new-york-historical-society-native-american-artworks-gift-1234774399/”,”image_id”:1234774436,”image”:”https://www.artnews.com/wp-content/uploads/2026/02/aZaV8sFoBIGEgitF_7RavenTellsHisStoryintheFog.jpg?w=999″,”sizes”:{“pmc-gallery-s”:{“src”:”https://www.artnews.com/wp-content/uploads/2026/02/aZaV8sFoBIGEgitF_7RavenTellsHisStoryintheFog.jpg?w=240″,”width”:240,”height”:240},”pmc-gallery-m”:{“src”:”https://www.artnews.com/wp-content/uploads/2026/02/aZaV8sFoBIGEgitF_7RavenTellsHisStoryintheFog.jpg?w=480″,”width”:480,”height”:480},”pmc-gallery-l”:{“src”:”https://www.artnews.com/wp-content/uploads/2026/02/aZaV8sFoBIGEgitF_7RavenTellsHisStoryintheFog.jpg?w=599″,”width”:599,”height”:600},”pmc-gallery-xl”:{“src”:”https://www.artnews.com/wp-content/uploads/2026/02/aZaV8sFoBIGEgitF_7RavenTellsHisStoryintheFog.jpg?w=767″,”width”:767,”height”:768},”pmc-gallery-xxl”:{“src”:”https://www.artnews.com/wp-content/uploads/2026/02/aZaV8sFoBIGEgitF_7RavenTellsHisStoryintheFog.jpg?w=999″,”width”:999,”height”:1000}},”fullWidth”:574,”fullHeight”:575,”mime_type”:”image”,”ad”:””,”appleSongID”:null,”enableAppleGA”:false,”additionalDescription”:null,”subtitleColor”:null,”additionalSubtitle”:null,”additionalSubtitleColor”:null,”ads”:{“html”:”t

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nttnt</div>n</div>nttt</div>ntttt</div>n”,”data”:[{“divId”:”gpt-dsk-tab-list-inlistx-uid6″,”displayType”:”medrec”,”targeting”:[{“key”:”pos”,”value”:”btf”},{“key”:”pos”,”value”:”mid”},{“key”:”pos”,”value”:”in-listX”}],”lazyLoad”:”no”,”lazyLoadMultiplier”:2,”zone”:”list/in-listX”,”sizes”:[[300,250],[300,251]]}]}},{“ID”:1234774450,”position”:7,”positionDisplay”:8,”date”:”2026-02-24 15:28:17″,”modified”:”2026-02-25 16:42:49″,”title”:”Kent Monkman,u00a0Study for wu00eecihitowin (helping each other)</em>, 2024″,”subtitle”:null,”slug”:”kent-monkman-cree-b-1965-study-for-wicihitowin-helping-each-other-2024″,”caption”:”Kent Monkman, Study for wiu0302cihitowin (helping each other)</em>, 2024″,”description”:”ntttt

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ntKent Monkman (Cree, b. 1965) subverts the styles of Hudson River School landscapes, Edward Curtisu2019s photographic portraits of Native Americans, and Eugene Delacroixu2019s realist figuration to expose suppressed histories of Native American life. This work is from his u201cKnowledge Keepersu201d series of paintings, which focuses on children in the notorious American and Canadian Indigenous residential schools.</p>n</div>”,”alt”:”Kent Monkman, Study for wiu0302cihitowin (helping each other)</em>, 2024″,”image_credit”:”Collection of Agnes Hsu-Tang and Oscar Tang, The Hsu-Tang Collection.u00a0Artwork copyright u00a9 Kent Monkman.”,”url”:”https://www.artnews.com/list/art-news/news/new-york-historical-society-native-american-artworks-gift-1234774399/”,”image_id”:1234774452,”image”:”https://www.artnews.com/wp-content/uploads/2026/02/aZaVpsFoBIGEgitC_4Studyforwicihitowin-helpingeachother-.jpg?w=1000″,”sizes”:{“pmc-gallery-s”:{“src”:”https://www.artnews.com/wp-content/uploads/2026/02/aZaVpsFoBIGEgitC_4Studyforwicihitowin-helpingeachother-.jpg?w=320″,”width”:320,”height”:213},”pmc-gallery-m”:{“src”:”https://www.artnews.com/wp-content/uploads/2026/02/aZaVpsFoBIGEgitC_4Studyforwicihitowin-helpingeachother-.jpg?w=640″,”width”:640,”height”:427},”pmc-gallery-l”:{“src”:”https://www.artnews.com/wp-content/uploads/2026/02/aZaVpsFoBIGEgitC_4Studyforwicihitowin-helpingeachother-.jpg?w=800″,”width”:800,”height”:534},”pmc-gallery-xl”:{“src”:”https://www.artnews.com/wp-content/uploads/2026/02/aZaVpsFoBIGEgitC_4Studyforwicihitowin-helpingeachother-.jpg?w=1000″,”width”:1000,”height”:667},”pmc-gallery-xxl”:{“src”:”https://www.artnews.com/wp-content/uploads/2026/02/aZaVpsFoBIGEgitC_4Studyforwicihitowin-helpingeachother-.jpg?w=1000″,”width”:1000,”height”:667}},”fullWidth”:862,”fullHeight”:575,”mime_type”:”image”,”ad”:””,”appleSongID”:null,”enableAppleGA”:false,”additionalDescription”:null,”subtitleColor”:null,”additionalSubtitle”:null,”additionalSubtitleColor”:null}],”galleryCount”:”8″,”galleryID”:”1234774399″,”previousPageLink”:””,”nextPageLink”:””,”template”:”item-featured-image”,”ordering”:””,”galleryTitle”:”New York Historical to Receive Gift of Works by Native American Artists”,”isList”:”1″,”logo”:[],”i10n”:{“backToArticle”:”Back to Article”,”backToAllGalleries”:”Back to All Galleries”,”backToReview”:”Back to Review”,”backToAllReviews”:”Back to All Reviews”,”thumbnail”:”Thumbnails”,”nextSlide”:”Next Slide”,”prevSlide”:”Previous Slide”,”skipAd”:”Skip Ad”,”skipIn”:”Skip In”,”of”:”of”,”missingSomething”:”You’re missing something!”,”subscribeNow”:”Subscribe Now”,”next”:”Next”,”nextGallery”:”Next Gallery”,”closeThisMessage”:”Close this message”,”closeModal”:”Close Modal”,”closeGallery”:”Close Gallery”,”startSlideShow”:”Start Slideshow”,”lightBox”:”Lightbox”,”scrollUp”:”Scroll Up”,”scrollDown”:”Scroll Down”,”look”:”Look”,”readMore”:”Read More”,”showLess”:”Show Less”,”vertical”:{“photo”:”Photo”}},”ads”:{“rightRailGallery”:{“html”:”t

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