Category: art

Creativity, design, culture, inspiration

  • Layers: The Art of Erik Jones – Hi-Fructose Magazine

    “I like my work to look decorative and elegant. I find the softness of the female form incorporates these qualities and [is] more complementary to my work,” he said. “The newest work uses color and shapes, rather gratuitously, as a framing device—a way to move the eye around and to engage the viewer. Like an read more

    Layers: The Art of Erik Jones – Hi-Fructose Magazine
  • Deciphering the “Gibberish Drawings” of Ori Toor – Hi-Fructose Magazine

    When Ori Toor sits down to craft a drawing in his Gibberish series, he typically has in his mind just one image or stray narrative to begin the work. The Tel Aviv-based illustrator, fine artist, and animator says he’s always surprised at what happens next, and it “never turns out like anything I imagine.” “I’m read more

    Deciphering the “Gibberish Drawings” of Ori Toor – Hi-Fructose Magazine
  • Kate MccGwire: Powerfully Quiet – Hi-Fructose Magazine

    Kate MccGwire creates spellbinding, darkly sensual sculptures by layering feathers over serpentine structures. Referencing mobius strips, these forms seem to curl in and undulate within themselves, the densely packed and perfectly placed feathers adding both an organic quality and flow to each piece. The viewer’s eye naturally follow the feathers much like watching the flow read more

    Kate MccGwire: Powerfully Quiet – Hi-Fructose Magazine
  • The Violence of Man: Cleon Peterson’s Bold & Brutal Paintings Depict Humanity’s Struggle For Power – Hi-Fructose Magazine

    They would come to a show, turn around, and walk out, just completely offended.” When Peterson went to the Pratt Institute in Brooklyn, he was still in his teens. Myrtle Avenue was a pretty dark place—Peterson recalls, early on, seeing a man sitting in his car with his head blown off—but the darkness resonated with read more

    The Violence of Man: Cleon Peterson’s Bold & Brutal Paintings Depict Humanity’s Struggle For Power – Hi-Fructose Magazine
  • Glamourpuss: The Beautifully Hirsute Portraits of Erik Mark Sandberg – Hi-Fructose Magazine

    “Where does authenticity live in cultural society today? These systems that we have in place now for communication and information sharing, they have to be taken a bit with a grain of salt.” There’s a lot in Sandberg’s tool box. He has worked with acrylic and oil, etching and photoengraving. Frequently, he plays with characters read more

    Glamourpuss: The Beautifully Hirsute Portraits of Erik Mark Sandberg – Hi-Fructose Magazine
  • Organized Chaos: The Paintings of Joseph Lee – Hi-Fructose Magazine

    “When it goes away, I have to hop on to something else so that at any point, I’m working on four or five paintings at a time bouncing around the studio.” While painting became a major part of Lee’s life, he didn’t leave acting. Most recently, he appeared in the film Searching and the Korean read more

    Organized Chaos: The Paintings of Joseph Lee – Hi-Fructose Magazine
  • The Multi-Headed Art of AJ Fosik – Hi-Fructose Magazine

    …Though many of the contorted figures of writhing animals or multi-headed beasts may appear dark and disturbing, he insists his work is not morbid… Having been heavily influenced by varying cultural rituals, it is no surprise that Fosik lives a fairly nomadic life, moving from place to place throughout his career and drawing inspiration from read more

    The Multi-Headed Art of AJ Fosik – Hi-Fructose Magazine
  • Long Way From Home: The Art of Swoon – Hi-Fructose Magazine

    Art gave Curry a language. It gave her joy. It gave her confidence. And it gave her a platform from which to launch into the wider world. For longtime fans, Submerged Motherlands was a moody, dreamy, melancholy experience offering both artifacts and insight from Curry’s many journeys. Lacy papercut foliage fluttered from the limbs of read more

    Long Way From Home: The Art of Swoon – Hi-Fructose Magazine
  • The Felted Faces of Paolo del Toro – Hi-Fructose Magazine

    I was always drawing or building things, or we would make some giant scarecrows for the fruit fields. I would carve those with a chainsaw” Sometimes, del Toro’s characters develop in dreams and daydreams. “I end up staring at a wall for an hour or so and all these images and ideas pop into my read more

    The Felted Faces of Paolo del Toro – Hi-Fructose Magazine