Tag: Boversquos

  • Carol Bove’s Metal Textiles

    Daily Newsletter Was the artist’s Guggenheim survey a success? What’s so “weird” about this year’s Whitney Biennial? And other questions. Good morning to you, and good riddance to Kristi Noem. If you’re in the mood for some great art writing today, you’ve come to the right place. Read reviews by Aruna D’Souza and Seph Rodney read more

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    Carol Bove’s Metal Textiles

  • An Overfilled Guggenheim Retrospective Dulls Carol Bove’s Brilliance

    Art Review A smaller survey would have allowed for something more meaningful than just showing what Bove has been doing for the past decades. Carol Bove, “10 Hours” (2019) (all photos Seph Rodney/Hyperallergic) There was a moment in the Guggenheim’s sprawling new Carol Bove exhibition when the entire show began to make sense to me. read more

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    An Overfilled Guggenheim Retrospective Dulls Carol Bove’s Brilliance

  • Carol Bove’s Gripping Guggenheim Retrospective Transcends Time and Space

    Lionel Ziprin’s unlikely rediscovery really got going with a walk-in safe in Carol Bove’s Brooklyn studio. It was a big safe, and an old one—Bove initially had to use a car jack to pry open its metal door—and it became the unlikely home for all things related to Ziprin, a doyen of the Lower East read more

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    Carol Bove’s Gripping Guggenheim Retrospective Transcends Time and Space