Tag: Polycrisis

  • The Polycrisis Sublime of the Whitney Biennial

    As my friend Anthony Elms pointed out to me recently, the Whitney Biennial is a kind of neither-here-nor-there entity: too big for a tight thesis to be legible, too small to provide a true scope of what’s happening in the United States art world. (He should know: He curated a floor of the 2014 edition.) read more

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    The Polycrisis Sublime of the Whitney Biennial