Tag: Surprisingly

  • A Surprisingly Enjoyable Show About Critical Theory

    Art Review An exhibition about the influence of French critical theory on American art finds inspiration in diasporic thinkers like Frantz Fanon and Aimé Césaire. A work from Melvin Edwards’s Lynch Fragments series (begun 1963) in Echo Delay Reverb: American Art, Francophone Thought at Palais de Tokyo (all photos Cat Dawson/Hyperallergic) PARIS — Echo Delay read more

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    A Surprisingly Enjoyable Show About Critical Theory